Bauhaus Stories
  • Deutsch
bauhaus.de
  • new building
  • backstage
  • on site
  • meet the team
  • videos
  • about
  • podcast
  • newsletter
  • instagram
  • twitter
  • Legal notice
  • Privacy policy
Cookie preferences

You may change your cookie preferences at any time. For more information, please read our data protection policy and cookie statement.

  • What does this mean?
Necessary

These cookies facilitate basic processes on the site and are necessary for ensuring that all its features function properly.

Statistics

Google Analytics is a cookie provided by Google for the purpose of website analysis. It generates statistical data on how our visitors use the site and helps us to steadily improve it for you. The cookie anonymises all personal information it collects and is automatically deleted after two months.



Theo van Doesburg, Lead glass window VIII, 1918/19, studio of J.W. Gips, The Hague
© Bauhaus-Archiv

Lead glass at the Bauhaus?

#backstage #onsite
von 
Astrid Bähr
, 6 min reading time

With around one million pieces, the collection of the Bauhaus-Archiv offers an extraordinary view of the history of this famous school of art and design. Every year our team discovers and acquires new works which reveal yet unknown stories about the Bauhaus. Occasionally our staff selects a newly acquired work to present to you. This time it’s a glass painting by Theo van Doesburg.

Around 1918 the Dutch artist Theo van Doesburg (1883–1931) created a series of skylight windows to be installed above the front doors of the Spangen housing estate in Rotterdam. The buildings themselves were designed by his friend J.J.P. Oud. Like van Doesburg, he too belonged to the inner core of the De Stijl art movement which had been established the year before in Leiden, Netherlands and aimed to cultivate contacts with the international avant-garde. The Bauhaus-Archiv succeeded in acquiring one of the six existing windows for its collection in June 2022.

Theo van Doesburg, Lead glass window VIII, 1918/19, studio of J.W. Gips, The Hague
© Bauhaus-Archiv

Lead glass window VIII

1918/19
Produced in the studio of J.W. Gips, The Hague
Ccommissioned by the Municipal Housing Association, Rotterdam
Coloured glass in lead casing
34,5 x 81 x 1 cm

The glass window consists of vertically and horizontally arranged pieces of coloured glass, encased in lead to form a geometrical frame. According to van Doesburg himself, his inspiration for the composition came while gazing at the landscape through his studio window. This interpretation aligns closely with one of the central objectives of De Stijl, i.e. to achieve balance through the abstraction of nature and thereby reflect a higher order of creation, which van Doesburg then integrates into architecture.

Theo van Doesburg (author), László Moholy-Nagy (designer), Bauhaus Books 6, “Principles of Neo-Plastic Art”, 1925, Albert Langen Verlag, Munich
© Bauhaus-Archiv

Van Doesburg cultivated especially close ties to the Bauhaus in 1921/1922. During his visit to Weimar at Walter Gropius’s invitation, he gave private classes which a number of Bauhaus students and staff attended. In 1925 one of van Doesburg’s key treatises, “Principles of Neo-Plastic Art”, was published as the sixth volume in the series of Bauhaus Books.

Lucia Moholy, portrait of Theo van Doesburg, 1924
© VG Bild-Kunst 2022 / Bildnachweis: Bauhaus-Archiv Berlin
Theo van Doesburg (author), László Moholy-Nagy (designer), Bauhaus Books 6, “Principles of Neo-Plastic Art”, 1925, Albert Langen Verlag, Munich
© Bauhaus-Archiv
more articles
  • A Children’s Utopia

    The Ingenius building kit is a fascinating new addition to the Bauhaus Archive collection: a toy from the 1920s that sparks children's dreams of skyscrapers and modern cities.

    #backstage

  • Jak R. Maier: Metal works, self-archiving and missing artworks

    The exhibition Unpacking Jak R. Maier at the temporary bauhaus-archiv delves into the life and works of the (almost) forgotten Berlin artist Jak R. Maier. In bauhaus stories we reconstruct the highlights of his life and artistic career.

    #backstage #onsite

  • “Accepting an artistic estate is a big responsibility”

    The attorney and university lecturer Anna Kathrin Distelkamp explains that accepting an inheritance is a big responsibility and can be more complicated than it seems. How then does a museum inherit the right way?

    #backstage #onsite

  • “A Piece of Berlin art history”

    In light of the second unpacking event, director Annemarie Jaeggi remembers a surprising telephone call and considers the importance of Jakob and Marianne Maier’s estate for the Bauhaus-Archiv.

    #backstage #onsite

  • New Vision by Lotte Beese

    The Bauhaus-Archiv is home to the world’s largest Bauhaus collection, and it keeps growing all the time. In the following, we introduce you to some of our favourite new additions to the collection. This time – a vintage print by Lotte Stam-Beese.

    #backstage #onsite

  • Unpacking Jak R. Maier: Inherited and Unpacked – The Value of Things

    The current exhibition at the temporary bauhaus-archiv sheds light on the estate of the artist Jak R. Maier and questions which objects define our life.

    #backstage #onsite

newsletter
By submitting this form I accept the processing of my personal data in accordance with the Privacy Policy.